Lesson by Aaron Blaise
https://creatureartteacher.com
He has a mold of different animal skeleton heads as reference. Cool.
Here there are my study drawings with notes about the seventh lesson.
"Canta o Diva, perche' senza di te sono cieca. Cantami ti prego. INCANTAMI" Dublin, 5:40 am, 21 July 2016
Friday, 26 February 2016
Watercolor 04
Check this out: http://alinachau.com
I really love her style.
Here I tried to follow her.
Patrizia and Paola gave me some new colors and a couple of natural brushes: it's definitely better to work with good materials. Thanks a lot!!!
https://it-it.facebook.com/acrilgommasinalunga
Check this out: http://alinachau.com
I really love her style.
Here I tried to follow her.
Patrizia and Paola gave me some new colors and a couple of natural brushes: it's definitely better to work with good materials. Thanks a lot!!!
https://it-it.facebook.com/acrilgommasinalunga
Thursday, 25 February 2016
06 Animal Drawing Tigers Line of Action
Lesson by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the sixth lesson.
Lesson by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the sixth lesson.
Tuesday, 23 February 2016
05 Animal Drawing Tiger Locomotion
Lesson by Aaron Blaise
https://creatureartteacher.com
This lesson is about the walk and the run of tigers.
The walk:
there are 3 feet on the ground, and the back feet are always replacing the front feet. That's because this is the most stable set up to stand up for a four legged animal.
The run:
1 or 2 or none feet on the ground, because the faster you go, the less you wanna touch the ground.
The head drives the energy through the body (like a wave). As the head comes forward, then the arms follow, the energy goes through the body into the back legs, and rides off through the tail.
We are going from STRETCH to COMPRESSION
Lesson by Aaron Blaise
https://creatureartteacher.com
This lesson is about the walk and the run of tigers.
The walk:
there are 3 feet on the ground, and the back feet are always replacing the front feet. That's because this is the most stable set up to stand up for a four legged animal.
The run:
1 or 2 or none feet on the ground, because the faster you go, the less you wanna touch the ground.
The head drives the energy through the body (like a wave). As the head comes forward, then the arms follow, the energy goes through the body into the back legs, and rides off through the tail.
We are going from STRETCH to COMPRESSION
Monday, 22 February 2016
04 Animal Drawing Tiger Heads
Lesson by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the fourth lesson.
Lesson by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the fourth lesson.
Sunday, 21 February 2016
Watercolor 03
I'm trying to push the color further. It is study, so I should not be afraid to ruin the picture. I found a link of an illustrator for children who works with watercolor (old fashioned) and she says to do not use too much water. Next time I'll try to do something following her style (posting here her link of course).
I'm trying to push the color further. It is study, so I should not be afraid to ruin the picture. I found a link of an illustrator for children who works with watercolor (old fashioned) and she says to do not use too much water. Next time I'll try to do something following her style (posting here her link of course).
Monday, 15 February 2016
Watercolor 02
During the first days of the year I went with Willy, Anna and Ian to the "Technisches museum Wien" where there's the Lohner-Porsche.
It's so elegant that I decided to do this little opera, adding a big wheel that was in Keplerplatz for the children amusement (the beginning of December 2015).
The two objects seemed to me to fit well together, so I decided to do a composition with both.
Here the link to the Lohner-Porsche of the museum:
http://www.technischesmuseum.at/language/en-us/home/sammlung-forschung/sammlungsbereiche/ojekt-detail/articleid/380/urlmaster/false
During the first days of the year I went with Willy, Anna and Ian to the "Technisches museum Wien" where there's the Lohner-Porsche.
It's so elegant that I decided to do this little opera, adding a big wheel that was in Keplerplatz for the children amusement (the beginning of December 2015).
The two objects seemed to me to fit well together, so I decided to do a composition with both.
Here the link to the Lohner-Porsche of the museum:
http://www.technischesmuseum.at/language/en-us/home/sammlung-forschung/sammlungsbereiche/ojekt-detail/articleid/380/urlmaster/false
Friday, 12 February 2016
03 Animal Drawing Lion Full Body
Lesson by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the third lesson.
Break the body up to different sections:
- flexible
- rigid
Lesson by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the third lesson.
Break the body up to different sections:
- flexible
- rigid
11.02.16 h 19:00 Kaffeebar Quentin, Wien
It should have been a Soviet Fashion Sketch Session, but Alexandra ended up looking like Princess Sisi!!! The dress and the hair were amazing.
Thanks a lot!!!
https://www.facebook.com/events/208726099477457/
It should have been a Soviet Fashion Sketch Session, but Alexandra ended up looking like Princess Sisi!!! The dress and the hair were amazing.
Thanks a lot!!!
https://www.facebook.com/events/208726099477457/
Thursday, 11 February 2016
Last week our friend Vale came from Italy to Vienna to meet us.
Obviously we went to Leopold museum and Belvedere, where many Klimt operas are exposed.
That's why I portrait something from Klimt (I've mixed 2 different operas).
I wanna say thanks also to the artists from the Sketch Group Vienna for their help to find a fine art shop in Vienna.
It's been ages from the last time that I've used watercolor: It feels like turning back as a child.
Wednesday, 10 February 2016
02 Animal Drawing Lion Legs
Lessons by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the second lesson.
I find particularly interesting the trick for the rear leg (the use of the parallel lines). Thanks Aaron!!!
Lessons by Aaron Blaise
https://creatureartteacher.com
Here there are my study drawings with notes about the second lesson.
I find particularly interesting the trick for the rear leg (the use of the parallel lines). Thanks Aaron!!!
Tuesday, 9 February 2016
How To Draw Big Cats
I'm following Aaron Blaise lessons "How To Draw Big Cats".
He makes everything easy to understand and funny. Thank a lot!!!
https://creatureartteacher.com
Here there are my study drawings with notes about the first lesson:
01 Animal Drawing Lion Heads
Monday, 1 February 2016
Barbie girl
"Can't get you out of my head"
Succubus: is a demon in female form or supernatural entity in folklore (traced back to medieval legend) that appears in dreams and takes the form of a woman in order to seduce men, usually through sexual activity. The male counterpart is the incubus. Religious traditions hold that repeated sexual activity with a succubus may result in the deterioration of health or even death. (Wikipedia)
https://en.wikipedia.org/wiki/Succubus
Succubus: is a demon in female form or supernatural entity in folklore (traced back to medieval legend) that appears in dreams and takes the form of a woman in order to seduce men, usually through sexual activity. The male counterpart is the incubus. Religious traditions hold that repeated sexual activity with a succubus may result in the deterioration of health or even death. (Wikipedia)
https://en.wikipedia.org/wiki/Succubus
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